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Study of a Right Hand [recto]. Creator: Benjamin Robert Haydon

Study of a Right Hand [recto]. Creator: Benjamin Robert Haydon


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Study of a Right Hand [recto]. Creator: Benjamin Robert Haydon

Study of a Right Hand [recto]

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Media ID 36271501

© Heritage Art/Heritage Images

Benjamin Haydon Benjamin Robert Haydon Br Haydon Charcoal Hand Haydon Benjamin Haydon Benjamin Robert Haydon Br Right Hand Studies Laid Paper


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EDITORS COMMENTS
This black and white study, titled "Study of a Right Hand [recto]," is a mesmerizing work of art created by the renowned British painter Benjamin Robert Haydon in the 19th century. The monochromatic drawing, executed in charcoal heightened with white on laid paper, showcases Haydon's exceptional skill in capturing the intricacies and nuances of the human form. The subject of this study is a right hand, its veins and tendons meticulously rendered in charcoal, while the white heightening adds depth and texture, creating a striking contrast between light and shadow. The hand appears to be in a relaxed position, the fingers slightly splayed, inviting the viewer to examine each crease and curve with a sense of wonder. Haydon's mastery of charcoal is evident in the way he captures the delicate balance between the hand's strength and vulnerability. The drawing invites the viewer to contemplate the complexities of the human body, its intricacies and the beauty of its form. This study is a testament to Haydon's dedication to his craft and his ability to capture the essence of his subject with remarkable precision and sensitivity. It is a rare and precious work of art that invites reflection and contemplation, and a reminder of the rich artistic heritage of Britain in the 19th century. The National Gallery of Art in Washington, D.C. is fortunate to have this study in its collection, where it continues to inspire and captivate visitors from around the world. This Study of a Right Hand [recto] is not only a beautiful work of art but also a valuable addition to the gallery's collection, showcasing the depth and breadth of its holdings in the field of 19th-century art.

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