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Studies for "Heaven"and "Hell", 1903-1916

Studies for 'Heaven'and 'Hell', 1903-1916


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Studies for "Heaven"and "Hell", 1903-1916

Studies for " Heaven" and " Hell", 1903-1916

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Media ID 21239008

© Heritage Art/Heritage Images

Athletic Athletics Charcoal Charcoal On Laid Paper Discus Thrower Edwardian John Singer Sargent Muscular Physique Sargent John Singer Singer Sargent Sports Sportsman Sportsmen Studies Track And Field Artistic Movement Nakedness Nudity Realism


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > D > Discus

> Arts > Art Movements > Realism

> Arts > Artists > John Singer Sargent

> Arts > Artists > John Singer Sargent

> Arts > Artists > S > John Singer Sargent

> Arts > Still life artwork > Still life art > Still life paintings

> Arts > Still life artwork > Still life art

> Arts > Still life artwork

> Arts > Realistic drawings > Black and white realism > Fine art illustrations

> Arts > Realistic drawings > Still life artwork > Still life paintings


EDITORS COMMENTS
This print showcases the remarkable artistic talent of John Singer Sargent in his series of studies for "Heaven" and "Hell" created between 1903 and 1916. The photograph, taken in the early 20th century, transports us to America's Edwardian era, where Sargent's heritage art is proudly displayed at the National Gallery of Art in Washington. In this particular image, we witness Sargent's mastery of realism as he skillfully captures an athletic male figure. Charcoal on laid paper brings depth and texture to the drawing, emphasizing every contour of the muscular body. The subject stands confidently amidst a group setting, exuding strength and grace. The artist's attention to detail is evident in his portrayal of a discus thrower preparing for competition on a track and field. With one person depicted in their nakedness, Sargent fearlessly explores human physique while maintaining a sense of dignity through his artistic approach. This print not only celebrates sportsmanship but also serves as a testament to Sargent's ability to capture movement within still life compositions. It invites viewers into an intimate study session where bodies are meticulously observed and immortalized through charcoal strokes. As we admire this piece from John Singer Sargent's collection at the National Gallery of Art, we are reminded that art has the power to transcend time and evoke emotions that resonate with audiences across generations.

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