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St. Paul, from Daytons Bluff, 1874. Creator: Nathaniel Orr
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St. Paul, from Daytons Bluff, 1874. Creator: Nathaniel Orr
St. Paul, from Daytons Bluff, 1874. Steamboats on the Mississippi at Saint Paul, Minnesota, USA....Daytons Bluff, on the east side of St. Paul, where, with one sweeping glance, the eye takes in the city, its towers, and its [grain] elevators, the railroad-bridges, the opposing rocky shores, and the graceful curve of the river. From " Picturesque America; or, The Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists" Vol. II, edited by William Cullen Bryant. [D. Appleton and Company, New York, 1874]
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Media ID 19666185
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Alfred Alfred R Alfred R Waud Alfred Rudolph Alfred Rudolph Waud Alfred Waud Appleton Appleton D Co Appleton D Company Bryant Bryant William Cullen D Appleton And Co D Appleton And Company D Appleton Company Grain Elevator Minnesota Mississippi Mississippi River Nathaniel Paddle Steamer Paddle Steamers Panorama Picturesque America Railway Bridge Railways River Mississippi Saint Paul St Paul Steamboat Waud Waud Alfred Waud Alfred R Waud Alfred Rudolph William Cullen William Cullen Bryant Wood Engraving
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St. Paul, from Daytons Bluff, 1874 - A Captivating Glimpse into the Heart of Minnesota
EDITORS COMMENTS
. This print captures a mesmerizing panorama of St. Paul, Minnesota in 1874. Taken from the vantage point of Daytons Bluff on the east side of the city, Nathaniel Orr's lens transports us back to a bygone era. In this picturesque scene, steamboats gracefully glide along the mighty Mississippi River while paddle steamers navigate its waters with elegance. The cityscape comes alive as towering structures and grain elevators dominate the skyline, testaments to St. Paul's bustling industrial prowess. The intricate railway bridges connect opposing rocky shores with their graceful arches, symbolizing progress and unity in this growing metropolis. As we explore every detail captured within this engraving from "Picturesque America" it becomes clear that Orr skillfully portrays not just a location but an entire way of life. As our eyes wander across this historic image, we are reminded of William Cullen Bryant's words: "The Land We Live In". This is more than just a snapshot; it is an invitation to immerse ourselves in the rich tapestry woven by American artists like Alfred Rudolph Waud and Nathaniel Orr. Transportation plays a vital role here - boats gliding on waterways and trains traversing railways - showcasing how these modes shaped commerce and connected communities during America's westward expansion. With each glance at this remarkable print by Nathaniel Orr, we are transported back to an era where nature meets industry in perfect harmony—a testament to both human ingenuity and Mother Nature's grandeur.
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