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South Door of the Church of St. Mary Aldermanbury, c1935. Creator: Walter Benington

South Door of the Church of St. Mary Aldermanbury, c1935. Creator: Walter Benington


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South Door of the Church of St. Mary Aldermanbury, c1935. Creator: Walter Benington

South Door of the Church of St. Mary Aldermanbury, c1935. St Mary Aldermanbury in the City of London was rebuilt in Portland stone by Christopher Wren after the previous church was destroyed in the Great Fire of 1666. The doorway seen here is the Love Lane entrance. From " Wonderful London, Volume 2", edited by Arthur St John Adcock. [The Fleetway House, London, c1935]

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Media ID 18324827

© The Print Collector/Heritage Images

Adcock Arthur St John Arthur St John Adcock Benington Christopher Christopher Wren Door Doors Doorway John Adcock Sir Christopher Sir Christopher Wren Walter Walter Benington Wonderful London Wren Love Lane


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Wrens > House Wren

> Architecture > Churches

> Architecture > Country > England

> Architecture > Religious

> Europe > United Kingdom > England > London > Boroughs > City of London

> Religious Art > Religious Architecture > Churches and Cathedrals

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print showcases the South Door of the Church of St. Mary Aldermanbury in London, taken around 1935 by Walter Benington. The church, originally built in the 17th century by Christopher Wren after being destroyed in the Great Fire of 1666, stands as a testament to British architectural brilliance. The Love Lane entrance depicted here exudes an air of grandeur and history. The intricate details carved into the Portland stone doorframe are awe-inspiring, reflecting the craftsmanship of Sir Christopher Wren himself. As you gaze at this image, you can't help but marvel at how time has weathered its facade. Surrounded by lush trees and plants that add a touch of natural beauty to its surroundings, this historic church stands tall amidst bustling city streets. Its presence is a reminder of London's rich religious heritage and its enduring commitment to Christianity. Walter Benington's skillful use of monochrome captures every nuance and texture with striking clarity. This photograph was featured in Arthur St John Adcock's publication "Wonderful London" offering readers a glimpse into the city's architectural wonders during the 1930s. As you explore this remarkable piece captured through time, let your imagination wander back to an era when horse-drawn carriages traversed these very streets. Let it transport you to a place where history comes alive through magnificent structures like St. Mary Aldermanbury Church - an iconic symbol standing proudly amidst modernity while preserving centuries-old traditions for generations to come.

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