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Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816. Creator: John Keyse Sherwin
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Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816. Creator: John Keyse Sherwin
Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816
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Media ID 26373471
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Card Game Cards Cheating Exploitation Gambler Gamblers Gambling Gambling Den Game Game Of Cards Georgian John Keyse Sherwin Naive Naivety Rowlandson Thomas Smithfield City Of London England Tables Thomas Rowlandson Unaware Card Sharp Etched Pastime
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EDITORS COMMENTS
Caption: "Smithfield Sharpers, or the Countryman Defrauded" - A Satirical Depiction of Gambling Exploitation in 18th Century Britain This black and white etching by John Keyse Sherwin, titled "Smithfield Sharpers, or the Countryman Defrauded" takes us back to a bustling gambling den in 18th century England. Created in April 1787 and reissued between 1809-1816, this artwork offers a fascinating glimpse into the leisure activities of that era. The scene unfolds around a card game table where unsuspecting countrymen engage in a game of cards with city slickers known as "sharpers". These cunning gamblers use their expertise to cheat and exploit their naive opponents for personal gain. The artist skillfully captures the tension and naivety on the faces of these men, highlighting their unawareness of being deceived. Sherwin's detailed etching showcases Georgian-era furniture and attire while emphasizing social commentary through satire. The cartoonish style adds an element of humor to this cautionary tale about greed and deception prevalent during that time. Now housed at The Metropolitan Museum of Art, this print serves as a valuable heritage art piece that sheds light on pastimes enjoyed by people from different walks of life centuries ago. It reminds us how concepts like cheating and exploitation have been part of human nature throughout history. Through Sherwin's work, we are transported to an era where gambling was not only seen as entertainment but also as
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