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Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu... 1861. Creator: Yoshikazu)
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Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu... 1861. Creator: Yoshikazu)
Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu no kei doban no utsushi), 1861. [Americans seen through Japanese eyes]
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Media ID 36209075
© Heritage Art/Heritage Images
Americans Bare Feet Bhishti Bhisti Donkey Feet Foot Ichijusai Ichikawa Yoshikazu Jirobei Oban Triptych Triptych Utagawa Yoshikazu Washington Washington Dc Water Carrier Water Jar Water Jars Yokohama Yokohama E Yoshikazu Yoshikazu Utagawa
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This captivating woodblock print, titled
EDITORS COMMENTS
Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu no kei doban no utsushi)," was created by the renowned Japanese artist Yoshikazu in 1861. The print is an intriguing depiction of the City of Washington as seen through the unique perspective of the Japanese artistic school of Ukiyo-e. The triptych, known as an Oban format, showcases a bustling scene of American life with a focus on various occupations. In the central panel, we see a water carrier, or Bhishti, carrying water jars on his back, while a man in traditional Japanese attire, possibly Jirobei, observes the scene. To the left, a donkey pulls a cart loaded with goods, while to the right, a woman with bare feet washes dishes by a well. The print's vibrant colors and intricate details bring the scene to life, with buildings and people rendered with care and precision. The use of blue water and the contrasting colors of the people's clothing add depth and texture to the composition. The artist's skillful use of perspective and composition draws the viewer into the scene, transporting them to this unique moment in time. This woodblock print is a rare glimpse into the artistic school of Ukiyo-e and the way that the Japanese viewed Americans and American life during the 19th century. It is a valuable addition to any collection of Asian art and a testament to the enduring appeal of this artistic tradition." The Art Institute of Chicago is home to this remarkable piece of heritage art, which continues to inspire and captivate audiences with its unique perspective on history and culture.
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