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Self-Portrait, 1659. Artist: Rembrandt Harmensz van Rijn

Self-Portrait, 1659. Artist: Rembrandt Harmensz van Rijn


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Self-Portrait, 1659. Artist: Rembrandt Harmensz van Rijn

Self-Portrait, 1659. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker. [National Gallery of Art, Washington D.C. Random House, New York, N.Y. 1944]

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Media ID 14996564

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Andrew W Andrew W Mellon Cairns Dutch Golden Age Huntingdon Huntingdon Cairns Innovation Innovator John Walker Masterpieces Of Painting Mellon Rembrandt Harmensz Van Rijn Rembrandt Harmenszoon Van Rijn Rembrandt Van Rijn Rembrant Van Rijn Self Portrait Walker Baroque Era


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > R > Rembrandt

> Arts > Artists > Rembrandt van Rijn > Baroque painting

> Arts > Artists > Rembrandt van Rijn > Portrait painting

> Arts > Artists > Rembrandt van Rijn > Self-portraits by Rembrandt

> Arts > Artists > Rembrandt van Rijn

> Arts > Artists > Rembrandt

> Arts > Artists > V > Rembrandt van

> Arts > Portraits

> Europe > Netherlands > Paintings


EDITORS COMMENTS
This self-portrait by Rembrandt Harmensz van Rijn, created in 1659, is a remarkable piece of art that showcases the artist's mastery and innovation. The painting is part of the Mellon Collection at the National Gallery of Art in Washington DC, where it has been preserved as a testament to Rembrandt's genius. In this self-portrait, Rembrandt presents himself with great confidence and intensity. His direct gaze pierces through the canvas, capturing our attention and drawing us into his world. The use of color adds depth and richness to the composition, highlighting Rembrandt's skillful handling of oil paint. As one of the most influential artists of the Dutch Golden Age and a leading figure in Baroque art, Rembrandt revolutionized portraiture during his time. This particular self-portrait exemplifies his ability to capture not only physical likeness but also inner emotions and psychological depth. Published in "Masterpieces of Painting" edited by Huntington Cairns and John Walker in 1944, this print serves as a reminder of Rembrandt's enduring legacy even centuries after its creation. It stands as a testament to his status as an innovator who pushed boundaries within artistic conventions. The inclusion of this artwork in such prestigious publications further solidifies its significance within art history. As viewers today, we have the privilege to appreciate this masterpiece from one of history's greatest painters – an intimate glimpse into both Rembrandt's personal identity and artistic brilliance.

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