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Segard. Philogone. 44 ans (35 ans inscrit sur la photo), ne a Salond (Somme)

Segard. Philogone. 44 ans (35 ans inscrit sur la photo), ne a Salond (Somme)


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Segard. Philogone. 44 ans (35 ans inscrit sur la photo), ne a Salond (Somme)

Segard. Philogone. 44 ans (35 ans inscrit sur la photo), ne a Salond (Somme). Journaliste. Anarchiste. 1891-95

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Media ID 20137164

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Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Journalism Journalist Mug Shot Mugshot Physical Anthropology Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Somme

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


Segard. Philogone. 44 ans (35 ans inscrit sur la photo), né à Salond (Somme). Journaliste. Anarchiste. 1891-95)

EDITORS COMMENTS
. This photograph, captured by the renowned Alphonse Bertillon in the late 19th century, showcases a man named Segard Philogone at the age of 44 (although his age on the photo is listed as 35). Born in Salond, Somme, he was not only a journalist but also an ardent anarchist. The image itself is an albumen print or albumen silver print, showcasing Bertillon's masterful technique and attention to detail. It belongs to a collection that explores various aspects of society during that time period - from politics to crime. Bertillonage, a concept developed by Alphonse Bertillon himself, plays a significant role in this portrait. The meticulous measurements taken by him were used for identification purposes and physical anthropology studies. As we gaze upon this mugshot-like image with its stark contrast between light and shadow, it becomes evident that Segard Philogone had been arrested at some point during those years mentioned below his name. His piercing eyes seem to hold secrets and defiance within them – perhaps reflecting his political beliefs or experiences as an anarchist journalist. This thought-provoking piece now resides in The Metropolitan Museum of Art's collection where it serves as both historical documentation and artistic expression of an era marked by social unrest and

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