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Segard. emilien (dit Segard Fils). 18 ans, ne a Saloüel (Somme)

Segard. emilien (dit Segard Fils). 18 ans, ne a Saloüel (Somme)


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Segard. emilien (dit Segard Fils). 18 ans, ne a Saloüel (Somme)

Segard. emilien (dit Segard Fils). 18 ans, ne a Salouel (Somme). Peintre en voitures. Anarchiste. 2/7/94. 1894

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Media ID 20138308

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Somme

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print captures the enigmatic figure of Segard Emilien, also known as Segard Fils. At just 18 years old, he was born in Salouel (Somme), France and worked as a car painter. However, his occupation is not the only intriguing aspect of this photograph. Emilien's identity goes beyond his profession; he proudly identified himself as an anarchist. This political ideology adds depth to the image, reflecting a time when social unrest and radical ideas were prevalent. The year of his birth, 1894, further emphasizes this connection to a tumultuous period in history. The photographer responsible for this striking portrait is none other than Alphonse Bertillon - a renowned figure in both photography and anthropology. Known for developing anthropometric techniques used in criminal identification at that time, Bertillon's work often blurred the line between science and art. In this mugshot-like composition, we see Emilien against a plain white background – perhaps symbolizing purity or innocence juxtaposed with his rebellious nature. The black-and-white aesthetic enhances the intensity of his gaze and highlights every detail on his face. Now part of The Metropolitan Museum of Art collection, this print serves as a testament to our human desire to capture moments frozen in time. It invites us into an era where politics clashed with tradition and challenges us to ponder upon Emilien's story within the larger context of French society during that period.

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