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Seconde Cataracte, Dgebel-Aboucir; Nubie, 1849 / 51, printed 1852. Creator: Maxime du Camp

Seconde Cataracte, Dgebel-Aboucir; Nubie, 1849  /  51, printed 1852. Creator: Maxime du Camp


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Seconde Cataracte, Dgebel-Aboucir; Nubie, 1849 / 51, printed 1852. Creator: Maxime du Camp

Seconde Cataracte, Dgebel-Aboucir; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 112 from the album " egypte, nubie, palestine et syrie" (1852)

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Media ID 23871783

© Heritage Art/Heritage Images

1852 Camp Maxime Du Du Camp Maxime Egypte Nubie Palestine Et Syrie And Maxime Du Camp Middle Eastern Nile Nubia Nubia Egypt Nubian Rapids River Nile Rock Face Rock Formation Salted Paper Print Second Cataract The Nile Estuary


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> Africa > Egypt > Related Images

> Arts > Artists > C > Maxime Du Camp

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Asia > Palestine > Related Images

> Europe > France > Related Images


Seconde Cataracte, Dgebel-Aboucir; Nubie, 1849/51, printed 1852

EDITORS COMMENTS
is a captivating photograph captured by Maxime du Camp. This stunning work of art showcases the mesmerizing beauty of the Second Cataract on the Nile River in Nubia, Egypt. The image transports us to a time long gone - the 19th century - when du Camp embarked on his journey through Egypt, Nubia, Palestine, and Syria. With his camera in hand, he documented these ancient lands with great precision and artistic flair. In this particular print from his album "Egypte, Nubie, Palestine et Syrie" we are drawn to the powerful rapids of the river as it crashes against towering rock formations. The ruggedness of nature's creation is juxtaposed with the serenity that emanates from this monochromatic masterpiece. Du Camp's mastery lies not only in capturing a geographical feature but also in evoking emotions within viewers. As we gaze upon this photograph today at the Art Institute Chicago or any other art gallery fortunate enough to display it, we cannot help but feel a sense of awe for both nature's grandeur and du Camp's ability to immortalize it. This artwork serves as a testament to our shared human history and heritage. It reminds us that even though centuries have passed since its creation, there is an enduring beauty that transcends time and connects us all. Maxime

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