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Sculptures, 1839 / 40, printed 1985. Creator: Hippolyte Bayard

Sculptures, 1839  /  40, printed 1985. Creator: Hippolyte Bayard


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Sculptures, 1839 / 40, printed 1985. Creator: Hippolyte Bayard

Sculptures, 1839/40, printed 1985. Gelatin silver print, no. 3 from the portfolio " Bayard: xxv calotypes, 1842-1850" (1965); edition 14/50

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Media ID 23871647

© Heritage Art/Heritage Images

1965 Amorini Angelic Bayard Hippolyte Bayard Hyppolyte Bayard Xxv Calotypes 1842 1850 And Bust Busts Cherubim Cherubs Edition 14 50 Gelatin Silver Print Hippolyte Bayard Hyppolyte Bayard Sculptures Statuette Cherub Putti


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EDITORS COMMENTS
This black and white gelatin silver print, titled "Sculptures, 1839/40" was created by the talented French artist Hippolyte Bayard in 1985. The photograph is part of a larger portfolio called "Bayard: xxv calotypes, 1842-1850" and is numbered as edition 14 out of 50. The image transports us back to the enchanting world of the 19th century with its exquisite depiction of amorini, cherubs, and angelic figures. These delicate sculptures are beautifully captured in intricate detail, showcasing Bayard's mastery in photography. Displayed at an art institute gallery in Chicago, this artwork invites viewers to appreciate the timeless beauty and concept behind these statues. Each statuette seems to come alive through Bayard's lens, evoking a sense of wonder and admiration for both the craftsmanship of these sculptures and the artistic vision behind their creation. As we gaze upon this mesmerizing composition, we can't help but be transported to another time and place - a country steeped in rich artistic heritage. Through his skillful use of light and shadow, Bayard has immortalized these sculptures forever within this gelatin silver print. This photograph serves as a testament to Hippolyte Bayard's talent as an artist who not only captures moments but also preserves history through his lens. It reminds us that even centuries later, art continues to inspire awe and appreciation for our shared cultural legacy.

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