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Scherzo di Follia, 1863-66, printed 1940s. Creator: Pierre-Louis Pierson
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Scherzo di Follia, 1863-66, printed 1940s. Creator: Pierre-Louis Pierson
Scherzo di Follia, 1863-66, printed 1940s
Heritage Images features heritage image collections
Media ID 20134023
© Heritage Art/Heritage Images
Castiglione Castiglione Countess Of Castiglione Virginia De Castiglione Virginia Oldoini Verasis Di Countess Countess De Castiglione Countess Of Countess Of Castiglione Countess Vir Eyes Frame Gelatin Silver Print Insanity Joke Madness Oldo And Xef Oldoini Oldoini Virginia Pierre Louis Pierre Louis Pierson Pierson Pierson Pierre Louis Reine Detrurie Verasis Virginia Oldoini Virginia Virginia De Virginia De Castiglione Virginia Oldoini Virginia Oldoini Verasis Virginia Oldoini Verasis Di Castiglione Aristocracy Aristocrat
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The captivating print titled "Scherzo di Follia, 1863-66, printed 1940s" takes us back to the aristocratic world of the 19th century. Created by Pierre-Louis Pierson, this black and white gelatin silver print showcases the enigmatic Countess Virginia Oldoini Verasis di Castiglione. With her piercing eyes and intricate hairstyle, Countess Castiglione exudes an air of mystery and allure. Her face tells a story of both beauty and madness, as she pushes the boundaries of societal norms with her unconventional poses. The photograph captures her in a moment that seems to be filled with insanity or perhaps just an elaborate joke. Set against a simple frame, this image transports us to France where Countess Castiglione lived during this time period. Her Italian heritage is evident through her regal appearance and elegant attire. As we gaze upon this piece at the Metropolitan Museum of Art, we are reminded of the power photography holds in capturing not only physical bodies but also complex emotions. Pierre-Louis Pierson's work immortalizes Countess Castiglione's legacy as a woman who defied conventions and embraced her own unique identity. This print serves as a testament to the enduring fascination with aristocracy in the 19th century while also challenging traditional notions of beauty and sanity.
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