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The Saviors of the World, 1923. Creator: Anonymous

The Saviors of the World, 1923. Creator: Anonymous


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The Saviors of the World, 1923. Creator: Anonymous

The Saviors of the World, 1923. Found in the Collection of Russian State Library, Moscow

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Media ID 19061227

© Fine Art Images/Heritage Images

1923 Agitation Anti Religious Propaganda Atheism Colour Lithography Political Poster Propaganda Russian State Library Socialist Realism Socrealism Soviet Political Agitation Art Symbol Poster And Graphic Design


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> Arts > Art Movements > Realism

> Arts > Street art graffiti > Realism > Realism art gallery

> Europe > Russia > Moscow

> Europe > Russia > Posters


EDITORS COMMENTS
This print titled "The Saviors of the World, 1923" is a powerful representation of anonymous Soviet political agitation art. Created during a time of intense social and political change in Russia, this piece serves as anti-religious propaganda with its bold imagery and symbolism. The color lithography technique used in this fine art print brings to life the vibrant hues that dominate the composition. The central focus is on a grand church, symbolizing organized religion and its perceived influence over society. Surrounding it are figures representing atheism and socialism, depicted as heroic saviors who aim to liberate the world from religious dogma. Through its striking visual language, this poster aims to provoke thought and challenge traditional beliefs. It reflects the prevailing sentiment at that time when religion was seen by many as an obstacle to progress and equality. Preserved within the Collection of Russian State Library in Moscow, this artwork stands as a testament to the era's socio-political climate. Its inclusion in such an esteemed institution underscores its historical significance and artistic merit. "The Saviors of the World, 1923" exemplifies Soviet realism or socrealism – an artistic style prevalent during that period which sought to promote socialist ideals through various mediums including posters like these. This particular piece remains relevant today for scholars studying Russian history or anyone interested in exploring how art can be employed as a tool for political expression.

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