Satin Bird, (Ptilonorhynchus violaceus), c1850, (1856)

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Satin Bird, (Ptilonorhynchus violaceus), c1850, (1856)

Satin Bird, (Ptilonorhynchus violaceus), c1850, (1856). From Bible Natural History: containing a Description of Quadrupeds, Birds, Trees, Plants, Insects, Etc, Mentioned in the Holy Scriptures, by Reverend Francis Orpen Morris. [J. Ainsworth, Manchester, 1856]

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Media ID 14980309

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Ainsworth Branch Dark Francis Orpen Francis Orpen Morris J Ainsworth Morris Natural History Ornithology Perched Perching Reverend Francis Orpen Morris Biblical Bowerbird Ptilonorhynchus Violaceus

FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Bowerbirds > Satin Bowerbird

> Europe > United Kingdom > England > Manchester > Manchester

EDITORS COMMENTS
This print showcases the exquisite beauty of the Satin Bird, also known as Ptilonorhynchus violaceus. Captured around 1850 by Reverend Francis Orpen Morris, this image is a remarkable testament to both art and science in the 19th century. The bird's lustrous blue plumage glistens against a dark background, creating a striking contrast that immediately draws the viewer's attention. Perched gracefully on a branch, it exudes an air of tranquility and elegance. Its profile view allows us to appreciate every intricate detail of its feathers and delicate features. But this photograph holds more than just aesthetic value; it carries religious significance as well. As part of Bible Natural History, Reverend Morris sought to connect nature with biblical references found in holy scriptures. This particular species finds mention within Christian teachings, symbolizing various virtues such as faithfulness and devotion. Intriguingly captured during the mid-19th century when scientific exploration was at its peak, this portrait reflects both ornithological curiosity and artistic finesse. The photographer's meticulous approach highlights his passion for documenting nature's wonders while simultaneously honoring his spiritual beliefs. Preserved through time by J. Ainsworth in Manchester in 1856, this print serves as a window into history—a glimpse into an era where religion intertwined with scientific inquiry to deepen our understanding of the natural world. It stands not only as an extraordinary piece of artwork but also as a testament to human fascination with

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