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The Sacrifice of Isaac, early 17th century. Artist: Giuseppe Vermiglio

The Sacrifice of Isaac, early 17th century. Artist: Giuseppe Vermiglio


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The Sacrifice of Isaac, early 17th century. Artist: Giuseppe Vermiglio

The Sacrifice of Isaac, early 17th century. The Angel of the Lord preventing Abraham from sacrificing his son Isaac

Heritage Images features heritage image collections

Media ID 14847570

© Ann Ronan Picture Library / Heritage-Images

Abraham Bible Scene Father Fatherhood Giuseppe Human Sacrifice Isaac Jewish Judaism Knife Knives Restraint Sacrifice Ann Ronan Pictures Biblical Old Testament Vermiglio


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EDITORS COMMENTS
This print captures the intense biblical scene of "The Sacrifice of Isaac" painted by Giuseppe Vermiglio in the early 17th century. The artist skillfully depicts the moment when Abraham, a revered figure in Christianity and Judaism, is about to sacrifice his beloved son Isaac upon God's command. In this powerful image, we see Abraham holding a knife above his trembling son while an angel sent by the Lord intervenes at the last moment. The angel's presence symbolizes divine intervention and restrains Abraham from carrying out this unimaginable act. Vermiglio's use of vibrant colors brings life to this ancient tale, highlighting the emotional turmoil within each character. The contrasting emotions on their faces - fear in Isaac's eyes and anguish mixed with obedience on Abraham's face - evoke a sense of tension and conflict. "The Sacrifice of Isaac" serves as a reminder of faith tested and ultimate redemption found through trust in a higher power. It explores profound themes such as sacrifice, fatherhood, and human limitations when faced with divine commands. As we gaze upon this remarkable artwork, we are transported back to 17th-century Italy where Vermiglio masterfully captured both religious devotion and artistic excellence. This print allows us to appreciate not only the technical brilliance but also invites contemplation on our own beliefs and values that transcend time and culture.

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