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The Resignation, or John Bull Over-Whelmed with Grief, March 24, 1809. March 24, 1809

The Resignation, or John Bull Over-Whelmed with Grief, March 24, 1809. March 24, 1809


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The Resignation, or John Bull Over-Whelmed with Grief, March 24, 1809. March 24, 1809

The Resignation, or John Bull Over-Whelmed with Grief, March 24, 1809

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Media ID 19984556

© Heritage Art/Heritage Images

Cocked Hat Crying Grief Grieving John Bull Resignation Resigned Rowlandson Rowlandson Thomas T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son T Tegg Thomas Thomas Rowlandson Thomas Tegg Allegorical Figure Hand Coloured Hand Tinted


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> Arts > Artists > R > Thomas Rowlandson

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


The Resignation, or John Bull Over-Whelmed with Grief, March 24,1809

EDITORS COMMENTS
is a powerful and poignant image captured by Thomas Rowlandson in the 19th century. This hand-tinted etching portrays an allegorical figure representing Britain, known as John Bull, overwhelmed with grief and resignation. In this scene, we witness a British officer dressed in traditional clothing of the time - complete with a cocked hat - standing before John Bull. The color and detail bring to life the raw emotions depicted on their faces. John Bull's tear-streaked cheeks and pained expression convey his deep sorrow and distress. The concept behind this artwork speaks volumes about the historical context of war during that era. It serves as a visual representation of the collective grief experienced by the British people during times of conflict. The artist skillfully captures not only their physical appearance but also their inner turmoil through intricate details. This print, part of the Metropolitan Museum of Art collection, showcases Rowlandson's talent for capturing human emotion within his work. Through his masterful use of hand coloring techniques, he adds depth and intensity to every stroke. "The Resignation" invites viewers to reflect upon themes such as loss, sacrifice, and resilience that are timeless yet particularly resonant in moments of national crisis. It stands as a testament to both Rowlandson's artistic prowess and his ability to evoke empathy from those who gaze upon this remarkable piece from our heritage.

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