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Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies), c1775. Creator: Unknown

Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies), c1775. Creator: Unknown


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Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies), c1775. Creator: Unknown

Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies), c1775

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Media ID 36349404

© Heritage Art/Heritage Images

1770s Folio Hindu Hinduism Ink On Paper Isometric Khrishna Krishna Le Matin Line Drawing Looking Glass Maidservant Massage Mirror Morning Outline Peacock Ragamala Ragamala Painting Ragini Ragmala Rejecting Rejection Servant Servants South East Asia Southeast Asia Southeast Asian Vanity Foot Massage Hindoostan Young Man


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> Animals > Birds > Peacock

> Animals > Mammals > Cricetidae > White-footed Mouse

> Architecture > Country > India

> Architecture > Drawings

> Architecture > Palaces

> Architecture > Religious

> Architecture > Styles > Indian Architecture

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Arts > Realistic drawings > Portrait drawings > Fine art


EDITORS COMMENTS
This folio, titled Ramagadi Ragini, is a stunning example of a Ragamala painting from the 18th century, hailing from the Indian subcontinent. The Ragamala series, meaning "garland of melodies," is a popular genre of Hindu devotional art that originated in the Deccan region of India. This particular folio showcases the deity Krishna, flanked by two attendants, a maidservant and a male servant. Krishna is depicted in a regal pose, seated on a grand architectural structure reminiscent of a palace. The intricate isometric design of the building is a testament to the exceptional craftsmanship of the artist. Krishna is shown with a rejection gesture, turning away from a peacock that is offering him a mirror. This scene is believed to represent the theme of Ragini, or the melancholic mood, in the Ragamala series. The peacock, a symbol of beauty and vanity, is rejected by Krishna, who values inner beauty and wisdom over external appearances. The two attendants, a man and a woman, are shown in a subservient position, massaging Krishna's feet. This scene highlights the devotional aspect of the Ragamala series, as the attendants represent the devotees who seek the blessings of the deity. The intricate line drawing and the delicate use of ink on paper showcase the exceptional skill and artistry of the unknown artist. This beautiful folio, now housed at the Los Angeles County Museum of Art, is a testament to the rich artistic heritage of South East Asia and the enduring influence of Hinduism on Indian art. The timeless beauty of this artwork continues to captivate and inspire viewers, transcending the boundaries of culture and religion.

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