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A Rakes Progress, Plate 5, June 25, 1735. Creator: William Hogarth
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A Rakes Progress, Plate 5, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 5, June 25, 1735
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Media ID 20577855
© Heritage Art/Heritage Images
A Rakes Progress Bride Bridegroom Ceremonial Ceremony Georgian Hogarth Hogarth William Morality Old Maid Rakes Progress Sarah Young Tom Rakewell W Hogarth Wedding William Hogarth Metaphor Satirical
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This print captures Plate 5 of "A Rake's Progress" by William Hogarth, created on June 25,1735. The artwork belongs to the 18th-century genre and depicts a significant moment in British history. In this scene, set in St Marylebone Church, we witness a ceremonial wedding between Tom Rakewell and Sarah Young. The image showcases the intricate details of Georgian fashion as both men and women are dressed in elaborate costumes typical of that era. Through his satirical lens, Hogarth uses this marriage ceremony as a metaphor for morality and social commentary. The bridegroom personifies the concept of a rake – an immoral man who indulges in pleasure-seeking activities without considering their consequences. Surrounded by people from different walks of life, including an old maid symbolizing lost opportunities, the painting highlights the clash between religious values represented by Christianity and societal decadence. This engraving not only serves as a critique but also reflects on English literature and heritage art during that period. Preserved at The Met museum today, Hogarth's work continues to captivate viewers with its powerful satire and timeless relevance. As we delve into this black-and-white masterpiece by William Hogarth titled "A Rake's Progress" we are transported back to 18th-century Britain where tradition meets moral introspection through artistry.
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