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Rachel (1821-1858), en costume de tragédie, c1859. Creator: Jean-Leon Gerome
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Rachel (1821-1858), en costume de tragédie, c1859. Creator: Jean-Leon Gerome
Rachel (1821-1858), en costume de tragedie, c1859
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Media ID 36230823
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Canvasmaterial Carnavalet Museum Dramatic Gerome Jean Leon Idol Jean Gerome Jean Leon Gerome Mademoiselle Rachel Mask Rachel Shrine Theatrical Theatrical Performance Tragedy Tragic Musee Carnavalet Paris Museums Playhouse Rachel Felix
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Rachel (1821-1858), en costume de tragédie, c1859
EDITORS COMMENTS
is a captivating oil painting by the renowned French artist Jean-Leon Gerome, showcasing the tragic actress Rachel (also known as Mademoiselle Rachel or Elisabeth Felicité Rachel Felix) in the height of her theatrical glory. The portrait, created in 1859, captures Rachel in the attire of a Greek tragedy, complete with an ornate, vibrant dress, a mask, and an intricate headdress adorned with gold and jewels. The rich colors and intricate details of the painting transport us back to the 19th century Parisian playhouses, where Rachel was a celebrated idol and the embodiment of dramatic passion. Rachel was a leading actress of her time, renowned for her powerful performances in tragedies. Her magnetic presence on stage and her ability to embody the deepest emotions of the characters she portrayed made her a beloved figure in the French theatrical scene. This painting, now housed in the Musée Carnavalet in Paris, is a testament to her enduring legacy and the cultural heritage of the French theatre. The painting's backdrop is reminiscent of a shrine or a temple, further emphasizing the religious and almost divine status Rachel held in the hearts of her audience. The use of canvas material and the meticulous brushstrokes of Gerome's oil painting technique bring the portrait to life, allowing us to witness the intensity and depth of Rachel's character, as well as the grandeur of the theatrical performances of the 19th century. This painting is a must-see for anyone interested in the history of acting, fashion, and the arts, as it encapsulates the essence of a bygone era and the captivating allure of the tragic muse.
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