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Have you pray d tonight, Dedesmona?: plate 12 from Othello (Act 5

Have you pray d tonight, Dedesmona?: plate 12 from Othello (Act 5


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Have you pray d tonight, Dedesmona?: plate 12 from Othello (Act 5

Have you pray d tonight, Dedesmona?: plate 12 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900

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Media ID 20380007

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1900 Accusation Accusing Bed Chamber Bedchamber Bedroom Chasseriau Chasseriau Theodore Desdemona Husband Moor Moor Of Venice Othello Pointing Second Edition Gazette Des Beaux Arts Shakespeare Shakespeare William Shakspeare The Moor Of Venice Theodore Théodore Chassériau Wife William Shakespeare Wives Hand Gesture


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Have you prayed tonight, Desdemona? - Plate 12 from Othello (Act 5, Scene 2) - A Captivating Glimpse into Shakespeare's Tragic Masterpiece

EDITORS COMMENTS
. In this photo print, we are transported to a pivotal moment in William Shakespeare's timeless tragedy, Othello. Etched by Theodore Chasseriau in 1844 and reprinted in 1900, this exquisite piece of art captures the essence of the play's climactic scene. The image depicts Desdemona, beautifully portrayed as a distressed woman within her bedchamber. Her delicate hand gestures towards her husband Othello while he stands accusingly beside their marriage bed. The intensity of emotion is palpable as she asks him the haunting question: "Have you prayed tonight?". Chasseriau masterfully conveys the anguish and tension that permeate this tragic encounter between two souls torn apart by jealousy and manipulation. The intricate details etched on chine colle add depth to every line and contour. As we gaze upon this evocative artwork housed at the Metropolitan Museum of Art, we are reminded of the power of literature to transcend time and space. It serves as a testament to Shakespeare's genius in exploring complex human emotions through his characters. This thought-provoking image invites us to reflect on themes such as love, betrayal, trust, and ultimately tragedy itself. It serves as a poignant reminder that even amidst great works of art like Oth

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