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Portrait of Mme Golovina, 1896, (1965). Creator: Il ya Repin

Portrait of Mme Golovina, 1896, (1965). Creator: Il ya Repin


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Portrait of Mme Golovina, 1896, (1965). Creator: Il ya Repin

Portrait of Mme Golovina, 1896, (1965). Russian aristocrat Countess Natalia Golovina. Painting in the State Russian Museum, St Petersburg. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

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Media ID 18909324

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Artia Countess Ermine Fiala Ilya Ilya E Repin Ilya Efimovic Repin Ilya Efimovich Ilya Efimovich Repin Ilya Repin Ilya Yefimovich Ilya Yefimovich Repin Necklace Pearl Necklace Repin Vladimir Vladimir Fiala Aristocracy Aristocrat Artistic Movement Natalia Realism


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> Europe > Russia > Paintings


EDITORS COMMENTS
This portrait print, titled "Portrait of Mme Golovina, 1896" by Ilya Repin, transports us to the elegant world of Russian aristocracy in the late 19th century. The subject of this painting is Countess Natalia Golovina, a prominent member of high society during that time. Repin's attention to detail and his mastery of realism are evident in every brushstroke. The countess is depicted wearing a stunning pink dress adorned with exquisite jewelry and an opulent pearl necklace. Her profile is delicately captured as she gazes off into the distance, exuding grace and poise. The choice of colors adds depth and richness to the composition. The soft hues complemented by touches of rose create a harmonious palette that enhances the countess's beauty. Displayed in the State Russian Museum in St Petersburg, this artwork stands as a testament to Repin's exceptional talent and his ability to capture not only physical likeness but also the essence of his subjects' personalities. As we admire this print today, we are transported back in time to witness a moment frozen forever on canvas – an era characterized by opulence, refinement, and social hierarchy. It serves as both a historical document and an artistic masterpiece that continues to captivate viewers with its timeless allure.

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