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Portrait of Josnia Parduyn (1642-1718), second wife of Aernout van Citters, 1705. Creator: Godfried Schalcken
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Portrait of Josnia Parduyn (1642-1718), second wife of Aernout van Citters, 1705. Creator: Godfried Schalcken
Portrait of Josnia Parduyn (1642-1718), second wife of Aernout van Citters, 1705
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Media ID 36335375
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Godefridus Schalcken Godfrey Schalcken Godfried Schalcken Gotfried Schalcken Gottfried Schalcken Oil On Canvas On Panel Schalcken Godefridus Schalcken Godfrey Schalcken Godfried Schalcken Gotfried Schalcken Gottfried Head Dress Josina Parduyn Oval Shaped
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EDITORS COMMENTS
This portrait, created by the Dutch artist Godfried Schalcken in 1705, showcases Josina Parduyn (1642-1718), the second wife of Aernout van Citters. The exquisite oil on panel painting, with its oval shape and baroque style, is a testament to the artistic mastery of the 18th century. Josina's striking features are depicted in rich detail, with her expressive eyes gazing directly at the viewer, framed by a delicate headdress adorned with intricate lace and pearls. Her head is draped in a voluminous, dark fabric, contrasting with her fair complexion and the vibrant colors of her dress. The artist's skillful use of light and shadow creates a sense of depth and texture, drawing the viewer into the scene. Born in the Low Countries during the Baroque era, Schalcken was known for his mastery of chiaroscuro, the use of strong contrasts between light and dark. This technique is evident in the subtle shadows that define Josina's face and the intricate folds of her clothing. The painting is now a cherished part of the collection at the Rijksmuseum in Amsterdam, a testament to the enduring legacy of Dutch and European art from the 17th and 18th centuries. This portrait of Josina Parduyn offers a glimpse into the culture and history of the time, providing a window into the lives of the people of the Netherlands during the Baroque era. With its intricate details and beautiful color palette, it is a must-see for anyone interested in art, history, or the human experience.
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