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Portrait of Beatrice Cenci (1577-1599), 1599. Creator: Reni, Guido (1575-1642)

Portrait of Beatrice Cenci (1577-1599), 1599. Creator: Reni, Guido (1575-1642)


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Portrait of Beatrice Cenci (1577-1599), 1599. Creator: Reni, Guido (1575-1642)

Portrait of Beatrice Cenci (1577-1599), 1599. Found in the collection of the Galleria Nazionale d'Arte Antica, Rome

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Media ID 36306507

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Beatrice Cenci Bolognese School Galleria Nazionale Darte Antica Guido 1575 1642 Reni 1599 Cenci


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> Arts > Art Movements > Baroque

> Arts > Artists > I > Italian School Italian School

> Arts > Artists > R > Guido Reni

> Arts > Still life artwork > Oil paintings > Portrait paintings


EDITORS COMMENTS
Beatrice Cenci: A Tragic Tale of Vengeance and Justice in Renaissance Italy The hauntingly beautiful portrait of Beatrice Cenci, painted by the Bolognese master Guido Reni in 1599, is a poignant reminder of the complexities of power, vengeance, and justice in Renaissance Italy. Beatrice Cenci, born in Rome in 1577, was the victim of a brutal and long-standing abuse by her father and stepmother. After years of suffering in silence, Beatrice took matters into her own hands and plotted to kill her tormentors. With the help of her lover, she carried out the deed, and the bodies of her father and stepmother were discovered. Reni's portrait captures the enigmatic and haunting beauty of Beatrice, who was later acquitted of the crime due to her status as a victim of abuse. The painting is a testament to the artist's skill in capturing the emotional depth and complexity of his subject. Beatrice's gaze is intense and defiant, her expression a mixture of sadness, determination, and resignation. Her delicate features are accentuated by the soft, ethereal lighting, creating an otherworldly quality that adds to the painting's haunting allure. The portrait is now housed in the Galleria Nazionale d'Arte Antica in Rome, a fitting home for this iconic work of Baroque art. Reni's Portrait of Beatrice Cenci remains a powerful and enduring symbol of the human capacity for both suffering and resilience, as well as the complex and often contradictory nature of justice in Renaissance Italy.

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