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Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur)
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Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur)
Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur), from Ovids Metamorphoses, 1606
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Media ID 20379148
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Antonio Antonio Tempesta Apollo Cutting Faun Flay Flayed Flaying Killing Knife Knives Lyre Marsyas Metamorphoses Mythical Figure Mythological Figure Ovid Prisoner Publius Ovidius Naso Satyr Skinning Tempesta Tempesta Antonio Tied Up Black And Musical Instruments
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EDITORS COMMENTS
Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur) is a captivating black and white etching from the 17th century, created by Italian artist Antonio Tempesta. This powerful artwork, housed in The Metropolitan Museum of Art, depicts a dramatic scene from Ovid's Metamorphoses. In this mythological tale, Apollo, the god of music and poetry, stands tall with his lyre while Marsyas, a satyr known for his musical talent, is tied up as a prisoner. With intense determination on his face and wielding sharp knives in hand, Apollo prepares to flay Marsyas alive as punishment for daring to challenge him in a musical contest. The image captures the moment just before the gruesome act takes place. The contrast between light and shadow adds depth to the composition while emphasizing the tension between these two mythical figures. As we gaze upon this print, we are transported back to ancient times where gods ruled over mortals with both benevolence and cruelty. Tempesta's skillful execution brings out every detail - from the expressions on their faces to the intricate folds of their garments. Through this artwork, we witness not only an act of divine retribution but also explore themes of power dynamics and artistic rivalry. Plate 58 serves as a reminder that even gods can be challenged by mortal talents; however, it also warns us about crossing boundaries set by higher powers. It is an enduring testament to Tempesta's mastery
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