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Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Mete
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Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Mete
Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Metela detto Capo di Bove), ca. 1748
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Media ID 20568553
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Antichita Romana Antiquities Antiquity Appian Way Giovanni Battista Giovanni Battista Piranesi Metella Overgrown Piranesi Piranesi Giovanni Battista Roman Road Rome Lazio Italy Tomb Of Caecilia Metella Villa 1st Century Ancient Roman Caecilia Caecilia Metella Cecilia Metella Mausoleum
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EDITORS COMMENTS
This print showcases Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) by Giovanni Battista Piranesi. Taken in the 18th century, this image transports us back to ancient Rome, capturing the essence of antiquity. The photograph captures the grandeur and architectural brilliance of this ancient Roman tomb located on the Appian Way. The sepulchral monument stands tall amidst a picturesque landscape, with its intricate details and imposing structure evoking a sense of awe. Piranesi's etching beautifully portrays the overgrown surroundings that have reclaimed this historic site over time. The juxtaposition between nature's resilience and human creation adds depth to this composition, reminding us of our fleeting existence in contrast to enduring monuments like these. As we gaze upon this image, we are transported into a world where history comes alive. The mausoleum serves as a testament to Caecilia Metella's legacy and her place in Roman society. Its weathered facade tells stories of love, loss, power, and remembrance - all encapsulated within its stone walls. This panoramic view invites us to reflect on our own mortality while appreciating the beauty found in decay. It is through images like these that we can connect with our past and gain a deeper understanding of our shared heritage. Giovanni Battista Piranesi's masterful capture immortalizes not only an architectural marvel but also reminds us of the imperman
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