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The Pit of Acheron or The Birth of the Plagues of England, January 28, 1784

The Pit of Acheron or The Birth of the Plagues of England, January 28, 1784


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The Pit of Acheron or The Birth of the Plagues of England, January 28, 1784

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Media ID 19987891

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C Fox Cauldron Charles Fox Charles James Charles James Fox Flame Flames Fox Charles James Macbeth Magic Old Woman Old Women Right Honorable Charles James Fox Rowlandson Rowlandson Thomas Spell Spells Thomas Rowlandson Witch Witchcraft Witches Hand Coloured Hand Tinted Politicians


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Arts > Literature

> Europe > United Kingdom > England > Politics

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> People > Politicians

> Popular Themes > Politics


The Pit of Acheron or The Birth of the Plagues of England, January 28,1784

EDITORS COMMENTS
is a captivating etching by Thomas Rowlandson that delves into the realm of magic and politics in 18th century Britain. This hand-colored print depicts an intriguing scene where an old woman, surrounded by flames and holding a cauldron, casts spells to unleash plagues upon England. The image showcases the artist's skillful use of color and detail to create a sense of mystique and drama. The fiery backdrop symbolizes the chaos and destruction that these plagues may bring upon the nation. Rowlandson's portrayal of the witchcraft theme draws inspiration from literature such as Shakespeare's Macbeth, adding depth to this political commentary. At its core, this artwork serves as a satirical reflection on British politics during that time period. The central figure represents Charles James Fox, a prominent politician known for his controversial views. By depicting him as a witch conjuring up calamities through dark magic, Rowlandson criticizes Fox's influence on national affairs. Displayed at The Metropolitan Museum of Art (The Met), this piece stands as both an artistic achievement and historical document. It offers viewers insight into the intersection between artistry and political satire in 18th century Britain. Through "The Pit of Acheron or The Birth of the Plagues". Thomas Rowlandson invites us to contemplate power dynamics within society while marveling at his masterful technique in bringing this fantast

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