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Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods, February 20
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Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods, February 20
Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods, February 20, 1811
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Media ID 19987901
© Heritage Art/Heritage Images
Audience Being Sick Covent Garden Theatre Gods Overcrowded Overcrowding Rowlandson Rowlandson Thomas Thomas Rowlandson Vomiting Hand Coloured Hand Tinted
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This vibrant hand-colored etching by Thomas Rowlandson, titled "Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods, February 20,1811" captures a lively scene at the Covent Garden Theatre in 19th century Britain. The image depicts an overcrowded theater audience during a performance, showcasing the artist's keen observation and satirical wit. The colorfully dressed individuals are crammed into tight spaces known as pigeon holes, which were designed to accommodate more people in an already packed venue. This clever contrivance highlights the desperate measures taken to fit as many spectators as possible within limited space. Amidst this chaotic atmosphere, one can't help but notice that some of the gods themselves appear to be suffering from illness or discomfort. Vomiting figures add a touch of humor and absurdity to this bustling scene. Rowlandson's meticulous attention to detail brings this historical moment alive with his signature style and skillful hand tinting technique. The Metropolitan Museum of Art proudly houses this remarkable print in its collection, preserving not only Rowlandson's artistic legacy but also providing us with valuable insights into the social dynamics and challenges faced by theatergoers during that era. Through "Pidgeon Hole" we are transported back in time to witness both the excitement and limitations experienced by audiences attending performances at Covent Garden Theatre in early 19th century Britain.
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