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Photographic Print : Perrot. Jean. 33 ans, ne le 18 / 11 / 61 a Tulle (Correze). Cordonnier

Perrot. Jean. 33 ans, ne le 18  /  11  /  61 a Tulle (Correze). Cordonnier




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Perrot. Jean. 33 ans, ne le 18 / 11 / 61 a Tulle (Correze). Cordonnier

Perrot. Jean. 33 ans, ne le 18/11/61 a Tulle (Correze). Cordonnier. Anarchiste. 2/7/94. 1894

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Media ID 20138336

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Cobbler Criminal Identification Mug Shot Mugshot Physical Anthropology Shoemaker Albumen Silver Print


14"x11" Photo Print

Discover the captivating history of Perrot, a 33-year-old shoemaker from Tulle, Correze, in this vintage photograph from Alphonse Bertillon's Heritage Images archive. Taken in 1894, this image showcases Perrot's determined expression and skilled craftsmanship. Perfect for adding a touch of historical intrigue to your home or office, this Media Storehouse Photographic Print is a unique addition to any collection. With its rich detail and timeless appeal, this photograph is sure to spark conversation and inspire curiosity.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 27.9cm x 35.5cm (11" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Correze

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print by Alphonse Bertillon showcases Perrot Jean, a 33-year-old cobbler from Tulle, Correze. Taken in 1894, this albumen silver print is an intriguing example of anthropometry, a scientific method used to identify individuals based on physical measurements. Perrot Jean's portrait reveals more than just his occupation; it also highlights his political beliefs as an anarchist. The Metropolitan Museum of Art has preserved this mugshot-like image as part of its heritage art collection, emphasizing the historical significance of criminal identification techniques. Bertillonage, pioneered by Alphonse Bertillon himself, revolutionized forensic science during the late 19th century. By meticulously measuring various body parts and recording personal details like age and birthplace, Bertillon aimed to create a foolproof system for identifying criminals. In this photograph, Perrot Jean stands against a plain backdrop with an enigmatic expression on his face. His features are captured sharply in high contrast black and white tones that enhance the intensity of the image. As we gaze at this remarkable piece of history frozen in time, we are reminded not only of the individuality and complexity within each person but also how photography can serve as both art form and scientific tool. This thought-provoking print invites us to reflect upon our own identities while appreciating the intersection between politics and anthropology in early photographic practices.

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