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A Parody of Yuranosuke in the Pleasure Quarters, ca. 1797. Creator: Hosoda Eishi

A Parody of Yuranosuke in the Pleasure Quarters, ca. 1797. Creator: Hosoda Eishi


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A Parody of Yuranosuke in the Pleasure Quarters, ca. 1797. Creator: Hosoda Eishi

A Parody of Yuranosuke in the Pleasure Quarters, ca. 1797

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Media ID 20372848

© Heritage Art/Heritage Images

Chobunsai Chobunsai Eishi Chushingura Courtesan Courtesans Eishi Eishi Hosoda Funny Game Hand Held Hosoda Hosoda Eishi Hosoi Hosoi Chobunsai Ink And Colour On Paper Kanadehon Chushingura Lantern Lanterns Loyal League Of Forty Seven Ronin Musicians Rope Samisen Shamisen The Treasury Of Loyal Retainers Triptych Of Polychrome Woodblock Prints Wisteria Head Dress Headgear Musical Instruments Pastime


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EDITORS COMMENTS
This vibrant and humorous print, titled "A Parody of Yuranosuke in the Pleasure Quarters" was created by Hosoda Eishi during the Edo period in Japan. The artwork depicts a scene from the famous play "Kanadehon Chushingura" or "The Treasury of Loyal Retainers". In this parody, Eishi cleverly combines elements of traditional Japanese culture with a touch of comedy. The image showcases a group of courtesans engaging in leisure activities within an atmospheric pleasure quarter. A male figure can be seen holding a samisen, a traditional musical instrument, while another man plays along with him. Lanterns softly illuminate the surroundings as they enjoy their pastime. Eishi's attention to detail is evident through his intricate portrayal of costumes and headgear worn by both men and women. The artist skillfully captures the essence of 18th-century life, incorporating plants and nature into the composition. This print not only serves as entertainment but also highlights various aspects of Japanese society during that time period. It reflects on themes such as literature, music, occupation, and social hierarchy. Displayed at The Metropolitan Museum of Art, this piece showcases Eishi's talent for combining tradition with humor. Through his unique artistic style and playful interpretation, he invites viewers to appreciate both the beauty and wit found within Japanese art history.

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