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Oxford: St Marys from Oriel Lane, 1792-1793. Artist: JMW Turner

Oxford: St Marys from Oriel Lane, 1792-1793. Artist: JMW Turner


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Oxford: St Marys from Oriel Lane, 1792-1793. Artist: JMW Turner

Oxford: St Marys from Oriel Lane, 1792-1793. View of the 13th century tower and 14th century spire of the University Church of St Mary the Virgin. From the Tate collection, London

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Media ID 14882312

© Artmedia / Heritage-Images

Church Of St Mary Church Tower J M W Turner Jmw Turner Joseph Mallord William Oxford Oxfordshire Spire St Mary The Virgin Steeple Turner Print Collector7 University Church Of St Mary The Virgin


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Architecture > Religious

> Architecture > Towers > Churches

> Architecture > Universities

> Arts > Artists > T > B.W. Turner

> Arts > Portraits > Pop art gallery > Street art portraits

> Arts > Watercolor paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > Oxford


EDITORS COMMENTS
This print showcases JMW Turner's masterpiece, "Oxford: St Marys from Oriel Lane" created between 1792 and 1793. The artwork beautifully captures the essence of Oxford's architectural heritage, specifically focusing on the University Church of St Mary the Virgin. Standing tall in this image is the remarkable 13th-century tower and accompanying 14th-century spire, which dominate the skyline with their grandeur. Turner's skilled use of color and watercolor techniques brings life to this depiction of a bygone era. The medieval charm emanating from every brushstroke transports viewers back to a time when religion played an integral role in society. As we gaze upon this piece, our eyes are drawn down Oriel Lane, a quaint road lined with historic buildings that perfectly complement the church's magnificence. The painting not only serves as a visual feast for art enthusiasts but also offers insight into British history and culture. It symbolizes England's deep-rooted Christian traditions while showcasing its architectural prowess during the Middle Ages. Housed within London's prestigious Tate collection, this print represents one of Turner's many contributions to British art. Its presence reminds us of his exceptional talent for capturing both natural landscapes and man-made structures with equal brilliance. As we admire this extraordinary work, let us appreciate how it effortlessly combines elements of architecture, arts, religion, and history into one harmonious composition – truly an artistic treasure that stands as testament to Turner’s enduring legacy.

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