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Odd Characters, February 16, 1801. February 16, 1801. Creator: Thomas Rowlandson

Odd Characters, February 16, 1801. February 16, 1801. Creator: Thomas Rowlandson


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Odd Characters, February 16, 1801. February 16, 1801. Creator: Thomas Rowlandson

Odd Characters, February 16, 1801

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Media ID 19987877

© Heritage Art/Heritage Images

Arlecchino Cavalry Commedia Dellarte Faces Harlequin Hussar Hussars Keystone Archives Noticeboard Regiment Rowlandson Rowlandson Thomas Theatre Italien Thomas Rowlandson Turk Turkey Turkish Hand Coloured Hand Tinted


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> Arts > Artists > R > Thomas Rowlandson

> Asia > Turkey > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Odd Characters, February 16,1801 - A Vibrant Glimpse into British Theatre and Military Life

EDITORS COMMENTS
. This print titled "Odd Characters, February 16,1801" by Thomas Rowlandson offers a fascinating window into the vibrant world of early 19th-century Britain. The image captures a scene filled with an array of intriguing figures and diverse personalities. At first glance, one's attention is drawn to the colorful costumes and expressive faces that populate this etching. The hand-colored details bring these characters to life, showcasing Rowlandson's artistic prowess. Among them are hussars from the British cavalry regiment, their uniforms resplendent in vivid hues. Standing alongside them is Harlequin or Arlecchino from Commedia dell'arte fame—a symbol of theatricality and entertainment. The composition also features a Turkish figure known as Turk or Turkey—a nod to the country's historical significance during times of war and conflict. This inclusion hints at the broader context of military warfare prevalent during this era. Rowlandson skillfully combines elements from both theater and military life in this artwork—two significant aspects of society during his time. By doing so, he invites viewers to reflect on how these seemingly disparate worlds intersected within British culture. Preserved within The Metropolitan Museum of Art's collection today, this print serves as a testament to Rowlandson's talent for capturing not only physical appearances but also the essence of his subjects' personalities. It stands as

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