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Photographic Print : Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste

Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste




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Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste

Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste. Anarchiste. 26/2/94. 1894

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Media ID 20138344

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


14"x11" Photo Print

Step into the past with our Media Storehouse Photographic Prints featuring the captivating image of Charles Notelez, a 29-year-old Parisian born in the XXe arrondissement, as he goes about his daily life as a portefeuilliste, or notebook carrier, in 1894. This evocative black and white photograph by renowned French photographer Alphonse Bertillon offers a glimpse into the past, capturing the essence of a bygone era. Add this historical print to your collection and bring the stories of the past into your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 27.9cm x 35.5cm (11" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > Charles White

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Paris > Politics

> Europe > France > Paris > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print, titled "Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste" offers a fascinating glimpse into the world of Alphonse Bertillon's anthropometric photography. The black and white portrait showcases a man named Charles Emile Notelez, who was arrested in France on February 26th, 1894. Bertillonage, as pioneered by Alphonse Bertillon himself, revolutionized identification methods during that era. This photograph serves as both an artistic piece and a scientific record of criminal anthropology. The image captures the essence of Notelez's character through his stern expression and piercing gaze. His occupation as a portefeuilliste (wallet maker) is intriguingly juxtaposed with his anarchist beliefs - an aspect that adds depth to this arresting portrait. Displayed at the Metropolitan Museum of Art, this rare mugshot exemplifies how art can intersect with politics and science seamlessly. It stands as a testament to the historical significance of Bertillon's work in law enforcement and physical anthropology. As we observe this remarkable photograph today, it allows us to reflect upon our shared heritage while contemplating the evolution of crime detection techniques over time. Through its powerful visual narrative, "Notelez" invites us to delve deeper into the complexities of identity and societal structures within late-19th century France.

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