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No. 8 (hachi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800. Creator: Kitagawa Utamaro. No. 8 (hachi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800)
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No. 8 (hachi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800. Creator: Kitagawa Utamaro. No. 8 (hachi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800)
No. 8 (hachi), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", Japan, c. 1798/1800
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Media ID 36221070
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Insect Insects Kitagawa Utamaro Moth Sericulture Silk Farming Textile Industry Utamaro Utamaro Kitagawa
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EDITORS COMMENTS
No. 8 (hachi) from the series 'Women Engaged in the Sericulture Industry' (Joshoku kaiko tewaza-gusa) by Kitagawa Utamaro (c. 1798/1800) is a captivating color woodblock print that showcases the intricacies of silk farming during the Edo period in Japan. The image features a mother and her two boys, all dressed in traditional clothing, gathered around a table filled with silkworms and their cocoons. The mother, dressed in a pink kimono with a green obi, is intently focused on the silkworms, while the older boy, wearing a brown robe and holding a fan, looks on with curiosity. The younger boy, dressed in a simple white outfit, reaches out to touch one of the moths that has emerged from its cocoon. The serene and peaceful scene is enhanced by the use of color, with the green and pink hues contrasting beautifully against the brown table and the black background. The intricate details of the clothing, the calligraphy on the table, and the realistic depiction of the silkworms and moths add to the overall beauty and authenticity of the print. This image is a testament to the importance of the textile industry in Japan during the 18th century, particularly in the production of silk. The sericulture industry was a significant part of Japanese culture and economy, and this print provides a glimpse into the daily lives of those involved in it. The use of the moth and the rose in the series title further emphasizes the connection between nature and the industry. Kitagawa Utamaro, a renowned artist of the Ukiyo-e school, is known for his detailed and expressive portrayals of everyday life in Japan. This print is a prime example of his artistic skill and his ability to capture the essence of a moment in time.
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