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No. 42: Midono, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido...", c. 1835/38. Creator: Ando Hiroshige. No. 42: Midono, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido...", c. 1835/38)

No. 42: Midono, from the series 'Sixty-nine Stations of the Kisokaido (Kisokaido...', c. 1835 / 38. Creator: Ando Hiroshige. No. 42: Midono, from the series 'Sixty-nine Stations of the Kisokaido (Kisokaido...', c. 1835 / 38)


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No. 42: Midono, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido...", c. 1835/38. Creator: Ando Hiroshige. No. 42: Midono, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido...", c. 1835/38)

No. 42: Midono, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

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Media ID 36221549

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Carrying On Head Gate Hillside Kisoji Kisokaido Nakasendo Shukuba Torii Torii Gate Trade Route Way In


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> Arts > Artists > A > Hiroshige Ando

> Arts > Artists > Ando Hiroshige

> Arts > Artists > H > Ando Hiroshige

> Arts > Artists > H > Guy Head

> Arts > Artists > H > Utagawa Hiroshige

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > U > Hiroshige Utagawa

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Country landscapes


EDITORS COMMENTS
No. 42: Midono, from the series 'Sixty-nine Stations of the Kisokaido' by Ando Hiroshige, c. 1835/38, is a captivating color woodblock print that showcases the beauty and intrigue of rural Japan during the Edo period. The scene depicts the Midono station in the Nagiso Kiso district of Nagano, Japan, along the historic Nakasendo highway. The print features a group of people, including a man carrying a child on his back and a woman carrying a bundle on her head, making their way through the entrance of a gate. The station is situated at the foot of a hill, with fields and farmland stretching out in the distance. The hillside is dotted with houses and a shrine, indicating the presence of a small community. The serene landscape is bathed in a soft blue hue, adding to the sense of tranquility and peace. The use of color and composition in this print is masterful, with the figures and buildings balanced against the natural backdrop. Hiroshige's artistic skill is evident in the intricate details, from the textures of the clothing to the patterns in the woodgrain of the gate. The 'Sixty-nine Stations of the Kisokaido' series was a popular one during the 19th century, reflecting the growing interest in regionalism and the desire to explore the diverse landscapes and cultures of Japan. This print, in particular, offers a glimpse into the daily life of rural Japan and the importance of the road network in connecting different parts of the country.

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