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Night Rain at Karasaki, from the series Eight Views of Omi, c. 1835. Creator: Utagawa Hiroshige (Japanese, 1797-1858)
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Night Rain at Karasaki, from the series Eight Views of Omi, c. 1835. Creator: Utagawa Hiroshige (Japanese, 1797-1858)
Night Rain at Karasaki, from the series Eight Views of Omi, c. 1835. The Kawasaki Pine was a famous site on the shores of Lake Biwa. Its branches, supported by bamboo trellises, shelter a shrine beneath. The rain is represented by fine, printed vertical lines
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Media ID 19639097
© Heritage Art/Heritage Images
1615 1868 1797 1858 Utagawa Hiroshige Japanese Colour Woodblock Print Utagawa Hiroshige
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EDITORS COMMENTS
This print titled "Night Rain at Karasaki" takes us back to the Edo period in Japan, specifically around 1835. Created by the renowned Japanese artist Utagawa Hiroshige, this piece is part of his series called "Eight Views of Omi". The focal point of the image is the Kawasaki Pine, a famous landmark situated on the shores of Lake Biwa. Its branches gracefully extend and are supported by bamboo trellises, creating a sheltered space beneath where a shrine resides. The tranquility and serenity emanating from this scene are palpable. Hiroshige masterfully captures the essence of rain through delicate vertical lines meticulously printed onto the artwork. These fine lines represent rainfall gently descending upon Karasaki during a peaceful night. The combination of soft colors and intricate details transports viewers into this serene moment. As we admire this color woodblock print, it serves as a reminder of Japan's rich cultural heritage during the Edo period (1615-1868). Utagawa Hiroshige's artistic prowess shines through in every brushstroke, showcasing his ability to capture nature's beauty with precision and elegance. Displayed proudly at The Cleveland Museum of Art, this exquisite masterpiece continues to captivate art enthusiasts worldwide. Thanks to Heritage Art/Heritage Images for preserving and sharing such an exceptional representation of Japanese art history with us all.
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