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Miao Shan Reaches the Nunnery, 1922. Creator: Unknown
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Miao Shan Reaches the Nunnery, 1922. Creator: Unknown
Miao Shan Reaches the Nunnery, 1922. Miao Shan, also known as: Kwan Yin was sent to the Monastery of the White Sparrow as a punishment by her father for refusing to marry. From " Myths and Legends of China", by E. T. C. Werner. [George G. Harrap & Co. Ltd. London, Calcutta, Sydney, 1922]
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Media ID 19777866
© The Print Collector/Heritage Images
Arrival Arriving Convent Eaves Edward Tc Edward Tc Werner Edward Theodore Chalmers Werner Edward Werner Etc Werner Exile G G And And Co G G And Co G G Harrap And And Co G G Harrap And Co George G Harrap And And Co George G Harrap And Co Gg And And Co Gg And Co Gg Harrap And And Co Gg Harrap And Co Harrap Mythical Figure Mythological Figure Myths And Legends Of China Nunnery Oriental Punishing Punishment Werner Traditional Dress
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EDITORS COMMENTS
The captivating print titled "Miao Shan Reaches the Nunnery, 1922" takes us back to ancient China, where mythology and tradition intertwine. The image depicts a moment from the legendary tale of Miao Shan, also known as Kwan Yin. Sentenced to exile in the Monastery of the White Sparrow by her father for rejecting marriage, Miao Shan's journey unfolds before our eyes. In this outdoor scene, we see a solitary figure dressed in vibrant red robes standing at the entrance of the convent. The traditional costume signifies her commitment to religious life and emphasizes her role as a mythical figure. The intricate details on her dress reflect centuries-old Chinese artistry. The building exterior showcases exquisite architectural elements with its colorful roof and elegant eaves. This setting transports us into an era when spirituality was deeply ingrained in everyday life. As we gaze upon this portrait captured by an unknown creator, we are reminded of E. T. C Werner's book "Myths and Legends of China". Published by George G. Harrap & Co. , London in 1922, it serves as a testament to how these timeless stories continue to captivate audiences across generations. This print not only offers a glimpse into Chinese history but also invites us to ponder themes such as punishment, devotion, and personal sacrifice that resonate even today. It is truly a treasure that allows us to connect with both the past and our own humanity.
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