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The Martyrdom of Saint Lawrence, First Half of 16th cen. Creator: Santacroce, Girolamo Galizzi da (c. 1480/85-c. 1556)

The Martyrdom of Saint Lawrence, First Half of 16th cen. Creator: Santacroce, Girolamo Galizzi da (c. 1480 / 85-c. 1556)


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The Martyrdom of Saint Lawrence, First Half of 16th cen. Creator: Santacroce, Girolamo Galizzi da (c. 1480/85-c. 1556)

The Martyrdom of Saint Lawrence, First Half of 16th cen. Found in the collection of the Museo di Capodimonte, Naples

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Media ID 36230343

© Fine Art Images/Heritage Images

Admiration Angels Baptist Barock Christian Church Christian Martyr Church History Deacon Of Rome Faith Gridiron Grille Lawrence Lawrence Of Rome Loyalty Martyr Martyrdom Museo Di Capodimonte Naples Patron Patron Of The Poors Persecution Of Christians Roman Empire Saint Lawrence Saints San Lorenzo School Of Bergamo St Lawrence Tempera On Panel


FEATURES IN THESE COLLECTIONS

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Campania > Naples

> Europe > Italy > Lombardy > Bergamo

> Europe > Italy > Naples

> Historic > Ancient civilizations > Roman Empire > Ancient Rome

> Historic > Ancient civilizations > Roman Empire > Roman art

> Historic > Renaissance art > Italian Renaissance art

> Italian renaissance art


EDITORS COMMENTS
This stunning 16th century painting, titled "The Martyrdom of Saint Lawrence," is a masterpiece by the Italian artist Girolamo Galizzi da Santacroce, created around the first half of the century. The work is currently housed in the esteemed Museo di Capodimonte in Naples, Italy. The painting depicts the moment of Saint Lawrence's martyrdom, a deacon of Rome who is known for his unwavering faith and loyalty to Christianity during the persecution of Christians in the Roman Empire. According to legend, Lawrence was ordered by the Roman prefect to present the treasures of the Church. In response, he gathered the poor and needy of Rome and presented them as the Church's true riches. In retaliation, Lawrence was subjected to a grueling and painful death on a gridiron, which is depicted in the painting. The composition is rich in symbolism and drama. Saint Lawrence is shown in the center, his body contorted in agony as he lies on the gridiron, which is being heated by torches held by two attendants. Above him, angels attend to his needs and offer him consolation. One angel holds a book, representing the Bible, while another pours water on his wounds, symbolizing the baptism of his martyrdom. The painting is a prime example of the Baroque style, with its dynamic use of light and shadow, intricate details, and intense emotion. The influence of the School of Bergamo is evident in the painting's composition and use of color. Galizzi da Santacroce's skillful use of tempera on panel creates a vivid and lifelike image that continues to inspire admiration and awe in viewers today. Saint Lawrence is a patron saint of cooks, deacons, librarians, and the poor. His story of faith and loyalty in the face of persecution continues to resonate with Christians around the world, making this painting a valuable addition to the history of Catholicism and Christian art.

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