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Madonna with Child and Saints Blaise, John the Baptist, Nicholas and Florian. The Annunciation, 1462. Artist: Lorenzo di Pietro (Vecchietta) (1410-1480)
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Madonna with Child and Saints Blaise, John the Baptist, Nicholas and Florian. The Annunciation, 1462. Artist: Lorenzo di Pietro (Vecchietta) (1410-1480)
Madonna with Child and Saints Blaise, John the Baptist, Nicholas and Florian. The Annunciation, 1462. Found in the collection of the Museo Diocesano di Pienza
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Media ID 14857883
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Annunciate Annunciation Archangel Gabriel Christ Child Holy Family Holy Ghost Holy Spirit Madonna Of Humility Maria Nicholas Nicholas Of Bari Nicholas Of Myra Saint Blaise Saint Nicholas Santa Claus School Of Siena Tempera On Panel Virgin And Child Mother Of God Saint Florian
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EDITORS COMMENTS
This print showcases the masterpiece "Madonna with Child and Saints Blaise, John the Baptist, Nicholas and Florian. The Annunciation" painted by Lorenzo di Pietro (Vecchietta) in 1462. Housed within the esteemed collection of Museo Diocesano di Pienza in Italy, this Renaissance artwork is a true testament to Vecchietta's artistic prowess. The painting depicts the iconic scene of Madonna with her child surrounded by saints who hold significant religious importance. The Virgin Mary exudes grace and humility as she cradles baby Jesus while being revered by Saint Blaise, Saint John the Baptist, Saint Nicholas, and Saint Florian. This composition beautifully captures their individual expressions of devotion and reverence towards the Holy Family. Noteworthy details include Archangel Gabriel appearing to announce the miraculous event of Jesus' birth through his annunciation gesture. Additionally, we see references to both Santa Claus (Saint Nicholas) and biblical figures such as Mary from New Testament lore. Executed using tempera on panel technique popular during that era, this artwork exemplifies Vecchietta's mastery over color harmony and delicate brushwork. It belongs to the School of Siena style known for its emphasis on naturalism and emotional depth. As an exquisite piece from fine art history, this print allows us to appreciate not only Vecchietta's skill but also serves as a window into religious iconography during the Renaissance period.
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