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Madame Souty reclinada en un Sofa (Madame Souty), 1921

Madame Souty reclinada en un Sofa (Madame Souty), 1921


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Madame Souty reclinada en un Sofa (Madame Souty), 1921

Madame Souty reclinada en un Sofa (Madame Souty), 1921. Private Collection

Heritage Images features heritage image collections

Media ID 22174976

© Fine Art Images/Heritage Images

1921 Ignacio 1870 1945 Nude Painting Zuloaga Y Zabaleto Realism


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> Arts > Art Movements > Realism

> Arts > Fine Art

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Arts > Street art graffiti > Portraits > Realism

> Arts > Street art graffiti > Realism > Realism art gallery

> Europe > Spain > Paintings


EDITORS COMMENTS
This photograph captures the essence of "Madame Souty reclinada en un Sofa (Madame Souty), 1921". The image showcases a moment frozen in time, as Madame Souty reclines gracefully on a sofa. Her pose exudes an air of elegance and confidence, while her gaze meets the viewer's with a hint of mystery. The fine art print, created by Ignacio Zuloaga y Zabaleto in 1921, is part of a private collection that has preserved this remarkable piece. Painted using oil on canvas, Zuloaga skillfully brings out the realism in his subject's features and form. The portrait-nude painting emphasizes both beauty and vulnerability simultaneously. Zuloaga was known for his ability to capture the human spirit through his artwork, and this piece is no exception. With every brushstroke, he reveals Madame Souty's innermost thoughts and emotions. This Spanish artist masterfully combines elements of portraiture with nude painting to create an intimate portrayal that transcends time. As we admire this stunning work from Fine Art Images/Heritage Images' collection, we are transported back to 1921 Spain – a time when artistic expression flourished amidst societal changes. This photograph serves as a testament to the enduring power of art; it allows us to appreciate not only its aesthetic qualities but also its ability to evoke deep emotions within us all.

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