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Lydia Coit Terry (Mrs. Eliphalet Terry), c. 1824. Creator: Samuel Finley Breese Morse

Lydia Coit Terry (Mrs. Eliphalet Terry), c. 1824. Creator: Samuel Finley Breese Morse


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Lydia Coit Terry (Mrs. Eliphalet Terry), c. 1824. Creator: Samuel Finley Breese Morse

Lydia Coit Terry (Mrs. Eliphalet Terry), c. 1824

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Media ID 20771273

© Heritage Art/Heritage Images

Morse Samuel Morse Samuel F B Morse Samuel Finley Breese Samuel F B Morse Samuel Fb Morse Samuel Finley Breese Morse Samuel Morse Head Dress Headgear


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> Arts > Artists > M > Samuel Finley Breese Morse

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Portraits

> North America > United States of America > Washington > Related Images


EDITORS COMMENTS
This portrait, titled "Lydia Coit Terry (Mrs. Eliphalet Terry), c. 1824" is a masterpiece created by the renowned American artist Samuel Finley Breese Morse. Painted in oil on canvas, this exquisite artwork showcases the elegance and grace of Lydia Coit Terry, an influential woman of the early 19th century. Morse's attention to detail is evident in every brushstroke, capturing not only Mrs. Terry's physical features but also her inner strength and character. Dressed in a beautifully crafted gown with intricate lace details and adorned with a delicate headdress, she exudes sophistication and refinement. The soft colors used by Morse add depth to the painting, highlighting Mrs. Terry's radiant complexion and emphasizing her piercing gaze that seems to hold secrets untold. The subtle play of light enhances the texture of her clothing while casting gentle shadows on her face, creating a sense of depth and realism. Displayed at the National Gallery of Art in Washington D. C. , this remarkable piece serves as a testament to Morse's artistic prowess as well as his ability to capture the essence of his subjects. As we admire this portrait today, we are transported back in time to witness Lydia Coit Terry's beauty and poise firsthand—a true treasure from America's rich heritage art collection.

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