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Lord Dufferin, 1889, (1925). Creator: Unknown
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Lord Dufferin, 1889, (1925). Creator: Unknown
Lord Dufferin (1889), 1925. From British Government in India, Volume Two, by Lord Curzon of Kedleston. [Cassell and Company Ltd, London, New York, Toronto and Melbourne, 1925]. Prominent member of Victorian society.Viceroy of India (1884-88)
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Media ID 15516868
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British Government In India British India British Raj Cassells Curzon George Curzon George Nathaniel George Nathaniel Curzon Government Hand On Hip Imperialism Lord Curzon Lord Curzon Of Kedleston Overcoat The Raj Viceroy Viceroy Of India British Empire Cassell And Company Ltd Posture
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EDITORS COMMENTS
This print showcases Lord Dufferin, a prominent member of Victorian society during the late 19th century. The image, taken in 1889 but printed in 1925, captures the essence of this influential figure who served as the Viceroy of India from 1884 to 1888. The creator remains unknown, adding an air of mystery to this historical artifact. Lord Dufferin's commanding presence is evident as he stands with his hand on his hip, exuding confidence and authority. His profile is captured in exquisite detail, highlighting his distinguished features and elegant dress. Wearing a stylish overcoat befitting his status, Lord Dufferin epitomizes the fashion trends of both the Victorian era and the Roaring Twenties. The photograph was featured in "British Government in India". Volume Two by Lord Curzon of Kedleston - a renowned literary work published by Cassell and Company Ltd. This book offers valuable insights into British colonialism and imperialism during that period. As we delve into history through this remarkable portrait, we are transported back to an era where men like Lord Dufferin played significant roles in shaping nations under British rule. This print serves as a testament to their influence on British India's governance while shedding light on their personal style and posture. "The Print Collector" has preserved this invaluable piece for posterity, allowing us to appreciate not only its artistic value but also its historical significance within the context of colonial times.
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