The Longford Castle Pictures; The Ambassadors after Holbein, 1533, 1890. Creator: Unknown

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The Longford Castle Pictures; The Ambassadors after Holbein, 1533, 1890. Creator: Unknown

The Longford Castle Pictures; The Ambassadors after Holbein, 1533, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

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Media ID 36262173

© The Print Collector/Heritage Images

Ambassador Ambassadors Commissary Diplomat Perspective The Graphic Symbolism Workshop Of Hans Holbein The Younger

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> Arts > Artists > H > Hans Holbein the Younger

> Arts > Artists > M > Hans Maler

EDITORS COMMENTS
is an intriguing black and white print that showcases a captivating reinterpretation of Hans Holbein the Younger's renowned painting, 'The Ambassadors,' created in 1533. The original work, which hangs in the Longford Castle in England, is a masterpiece of the 16th century, renowned for its innovative use of anamorphic perspective. This 1890 print, published in 'The Graphic: An Illustrated Weekly Newspaper,' offers a fascinating glimpse into the past, as it captures the essence of Holbein's artwork for a Victorian audience. The print features two well-dressed men, believed to be Jean de Dinteville, Bishop of Paris, and Georges de Selve, Bishop of Lavaur, who are depicted in the original painting. They stand before a table adorned with various objects, including a book, a globe, and a skull, which symbolize learning, global awareness, and mortality. The men in the print are shown looking directly at the camera, breaking the fourth wall and engaging the viewer in a unique way. This departure from the original painting adds an intriguing layer to the image, as it invites the audience to connect with the subjects on a more personal level. The print's direct gaze, combined with its meticulous attention to detail, underscores the enduring allure of Holbein's masterpiece and its continued relevance in the 19th century. This print serves as a testament to the power of art to transcend time, as it offers a glimpse into the past while maintaining its ability to captivate and intrigue viewers in the present. Its publication in 'The Graphic' further underscores the importance of the press in disseminating art and culture during the Victorian era. Despite the unknown creator, this print remains an essential piece of art history, showcasing the enduring influence of Hans Holbein the Younger's groundbreaking work.

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