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Lichfield Cathedral (Interior, looking West), 1898. Creator: Unknown
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Lichfield Cathedral (Interior, looking West), 1898. Creator: Unknown
Lichfield Cathedral (Interior, looking West), 1898. Lichfield Cathedrall was extensively renovated in the Victorian era the original choir screen by James Wyatt was replaced with a metal screen by Francis Skidmore and John Birnie Philip to designs of George Gilbert Scott. From " Our Own Country, Volume II". [Cassell and Company, Limited, London, Paris & Melbourne, 1898]
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Media ID 19667153
© The Print Collector/Heritage Images
Cassells Ceiling Co Cassell Francis George Gilbert Scott Gilbert Scott High Ceiling James Wyatt Lichfield Lichfield Cathedral Lichfield Staffordshire England Our Own Country Philip Renovated Renovation Scott Scott George Gilbert Sir George Gilbert Scott Sir Gilbert Scott Staffordshire Symmetrical Symmetry Vaulted Ceiling West Wyatt Cassell And Company Ltd Skidmore
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EDITORS COMMENTS
This print showcases the stunning interior of Lichfield Cathedral, taken in 1898. The cathedral, which dates back to the 12th century, underwent extensive renovations during the Victorian era. One notable change was replacing the original choir screen by James Wyatt with a magnificent metal screen designed by Francis Skidmore and John Birnie Philip, following George Gilbert Scott's vision. The image offers a glimpse into this architectural masterpiece's grandeur and historical significance. The high ceiling adorned with intricate Gothic details creates an awe-inspiring atmosphere within the sacred space. As we explore further, background figures add a sense of scale and perspective to appreciate the vastness of this religious sanctuary. Lichfield Cathedral stands as a testament to Britain's rich heritage and Christian traditions. Its medieval charm is beautifully captured in this engraving from "Our Own Country". Volume II published by Cassell and Company Ltd in 1898. Through this photograph, we are transported back in time to witness both the artistic beauty of Sir George Gilbert Scott's design choices and Francis Skidmore's craftsmanship. This visual representation invites us to reflect on our own connection with history, religion, literature, and artistry that have shaped our cultural landscape over centuries. As we admire this remarkable piece of architecture frozen in time through an unknown photographer's lens, it serves as a reminder of how human creativity can transcend generations while leaving an indelible mark on our collective memory.
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