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L'Exposition des oeuvres d'art mutilees ou provenant des regions devastees... 1916. Creator: Unknown

L'Exposition des oeuvres d'art mutilees ou provenant des regions devastees... 1916. Creator: Unknown


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L'Exposition des oeuvres d'art mutilees ou provenant des regions devastees... 1916. Creator: Unknown

L'Exposition des oeuvres d'art mutilees ou provenant des regions devastees; Cloche de Carency, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916". (Exhibition of works of art damaged or from devastated regions; Bell of Carency)

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Media ID 36327178

© The Print Collector/Heritage Images

Bell Damaged Frame Large Lillustration Salvage


FEATURES IN THESE COLLECTIONS

> Europe > France > Canton > Nord

> Europe > France > Canton > Pas de Calais

> Europe > France > Military

> Historic > Ancient artifacts and relics

> Historic > World War I and II > World War I

> Historic > World War I and II


EDITORS COMMENTS
This photograph, titled 'L'Exposition des oeuvres d'art mutilees ou provenant des regions devastees; Cloche de Carency' (Exhibition of works of art damaged or from devastated regions; Bell of Carency), dates back to 1916 during the tumultuous period of the First World War. The creator of this poignant image remains unknown, adding to its enigmatic allure. The photograph captures a close-up view of a wooden frame enclosing a damaged artwork - a bell, known as the Bell of Carency, from the devastated regions of Nord-Pas-de-Calais, France. The bell, with its intricate design and ornate details, lies in a state of disrepair, its once pristine surface marred by the ravages of war. The bell, now a symbol of the destruction and devastation wrought by the conflict, stands as a testament to the resilience and endurance of the human spirit. The photograph is from the 'Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916' (Collection of the War IV. The Illustration Volume CXLVIII. The War July, August, September, October, November, December 1916). The image, published in a magazine, serves as a reminder of the impact of war on art and culture, and the efforts made to salvage and preserve damaged works for future generations. The large format, high contrast black and white image, with its intricate details and evocative subject matter, continues to captivate viewers, offering a glimpse into the past and the indelible mark left by the First World War on the world.

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