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Leleu. Victor, Louis. 29 ans, ne le 19 / 10 / 64 a Arras (Pas-de-Calais)

Leleu. Victor, Louis. 29 ans, ne le 19  /  10  /  64 a Arras (Pas-de-Calais)


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Leleu. Victor, Louis. 29 ans, ne le 19 / 10 / 64 a Arras (Pas-de-Calais)

Leleu. Victor, Louis. 29 ans, ne le 19/10/64 a Arras (Pas-de-Calais). Anarchiste. 9/1/94. 1894

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Media ID 20137108

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Pas de Calais

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print captures the enigmatic figure of Victor Louis Leleu, a 29-year-old anarchist from Arras, France. Taken in 1894 by renowned photographer Alphonse Bertillon, this albumen silver print showcases the meticulous anthropometric techniques employed by Bertillonage. Intriguingly framed against a stark white background, Leleu's arresting gaze reveals his defiance and determination to challenge societal norms. This mugshot-style portrait not only serves as an identification tool but also offers a glimpse into the political climate of the time. Bertillon's innovative approach to photography fused with physical anthropology provides insight into the concept of criminality and its study during the late 19th century. The Metropolitan Museum of Art houses this remarkable piece as part of their heritage art collection, preserving it for future generations to appreciate. Leleu's image stands as a testament to both personal resilience and political activism in an era marked by social unrest. It invites viewers to contemplate questions surrounding law enforcement practices, individual freedom, and the power dynamics within society. As we delve into this historical artifact captured through Alphonse Bertillon's lens, we are reminded that photography can transcend mere documentation; it can become a powerful medium for exploring complex themes such as politics, identity, and human nature itself.

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