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Just A goin to Begin!, 1887. Artist: Tom Merry
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Just A goin to Begin!, 1887. Artist: Tom Merry
Just A goin to Begin!, 1887. WH Smith as a fairground showman, invites the public to his show; the principal parliamentary figures are there, with Charles Parnell dressed as a bandit and Benjamin Disraeli taking the money; behind the platform panels show The Insatiable Irish Growley Wowly, Randolph the Man Sphinx and the Bulgarian Boojum
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Media ID 15172146
© London Metropolitan Archives (City of London) / Heritage-Images
Ballerina Bandit Beaconsfield Benjamin Benjamin Disraeli Bulgaria Bulgarian Charles Stewart Charles Stewart Parnell Circus Clown Criminal Disraeli Dizzy Drum Drummer Earl Of Beaconsfield Entertainer Fair Fairground Funfair Ireland Irish Lord Lord Beaconsfield Merry Parnell Ridiculous Show Showman Smith Sphinx Top Hat Viscount Hughendon Of Hughendon Wh Smith William Henry William Henry Smith
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Just A goin to Begin!, 1887
EDITORS COMMENTS
is a captivating lithograph by artist Tom Merry that offers a satirical glimpse into the political and entertainment scene of 19th century Britain. The print depicts WH Smith, known as a fairground showman, inviting the public to his show. In this whimsical spectacle, prominent parliamentary figures are present, with Charles Parnell hilariously dressed as a bandit and Benjamin Disraeli cunningly collecting money. The backdrop of the platform panels showcases various characters like "The Insatiable Irish Growley Wowly" "Randolph the Man Sphinx" and "the Bulgarian Boojum". These comical figures add an element of absurdity to the scene. The image captures not only the vibrant colors and costumes but also highlights the social commentary prevalent in Merry's work. With its intricate details and clever satire, this lithograph transports viewers back in time to witness both political theater and popular entertainment colliding. It serves as a reminder that even during serious times, humor can be found amidst chaos. Preserved by Guildhall Library and Art Gallery, this artwork provides valuable insights into British society at that time. Its historical significance lies in its ability to shed light on both politics and popular culture of the era while showcasing Merry's artistic talent for capturing irony through visual storytelling.
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