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John Callcott Horsley, artist and Royal Academician, 1882. Artist: Lock & Whitfield
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John Callcott Horsley, artist and Royal Academician, 1882. Artist: Lock & Whitfield
John Callcott Horsley, artist and Royal Academician, 1882. A historical and genre painter, Horsley (1817-1903) gained the nickname Clothes Horsley for his role in championing the cause of public decency against painting from life classes and nudity in art in general. He also, in 1843, designed the first Christmas card. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art, the army, navy, law, medicine, etc. Photographed from life by Lock and Whitfield, with brief biographical notices by Thompson Cooper. (Conducted by G. C. Whitfield.) (London, 1876-1883)
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Media ID 14911192
© The Print Collector / Heritage-Images
Campaigner Cravat Horsley John Callcott Horsley Lock Lock Whitfield Morality Morals Qualification Royal Academician Sideboards Sideburns Whitfield Nudity Print Collector3
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> Contemporary artwork
> Portraits
> Arts
> Still life artwork
> Contemporary artwork
> Arts
> Still life artwork
> Still life art
> Contemporary art
> Arts
> Still life artwork
> Still life art
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This print captures the esteemed artist John Callcott Horsley in 1882. Known as a historical and genre painter, Horsley was not only recognized for his artistic talent but also for his role as a campaigner of public decency in art during the 19th century. His efforts against painting from life classes and nudity earned him the nickname "Clothes Horsley". In addition to his advocacy work, Horsley holds another significant claim to fame - he designed the very first Christmas card in 1843. This portrait showcases a man who is not only dedicated to his craft but also deeply concerned with morality and societal values. Photographed by Lock & Whitfield for their collection "Men of Mark" this image offers us a glimpse into Victorian England's artistic landscape. With sideburns framing his face and wearing formal attire complete with an elegant cravat, Horsley exudes professionalism befitting a Royal Academician. The monochrome aesthetic adds depth to this portrait, emphasizing both the seriousness of Horsley's occupation as well as capturing the essence of nineteenth-century Britain. As we gaze upon this photograph, we are transported back in time to witness one man's unwavering commitment to artistry while simultaneously upholding moral standards within society.
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