The International Exhibition: "The Departure of Hagar and Ishmael", modelled by Forsyth, 1862. Creator: Unknown. The International Exhibition: "The Departure of Hagar and Ishmael", modelled by Forsyth, 1862. Creator: Unknown

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The International Exhibition: "The Departure of Hagar and Ishmael", modelled by Forsyth, 1862. Creator: Unknown. The International Exhibition: "The Departure of Hagar and Ishmael", modelled by Forsyth, 1862. Creator: Unknown

The International Exhibition: "The Departure of Hagar and Ishmael", modelled by Forsyth, 1862. Example from...a bijou collection of the best examples of ecclesiastical and monumental sculpture and decoration, painted and inlaid church and other mediaeval furniture, wood-carvings, tapestry, embroidery, &c. Facing the principal or western entrance to the Mediaeval Court is...[a] group, in plaster, about 3ft. in height, representing "The Departure of Hagar and Ishmael, " which we have engraved. The sentiment and expression are worthy of the early sculptors; and, while answering architectonic requirements by its balanced quantities, it does not violate our advanced conception of the capabilities of art, like many other works of both painting and sculpture affecting medievalism'. From "Illustrated London News", 1862

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1862 International Exhibition Abraham Abram Book Of Genesis Cultural Event Expulsion Genesis Great London Exposition Hagar International Exhibition Of 1862 Ishmael Plaster Worlds Fair Illustrated London News Old Testament White And Black

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> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Events > London Book Fair

EDITORS COMMENTS
The International Exhibition of 1862 showcased a remarkable collection of ecclesiastical and monumental sculpture, decorated churches and mediaeval furniture, wood-carvings, tapestry, and embroidery. Among the highlights of the Mediaeval Court was a group, titled "The Departure of Hagar and Ishmael," modeled by Forsyth and standing at approximately 3ft in height. This exquisite plaster sculpture depicted the biblical story of Hagar and Ishmael, who were cast out into the wilderness by Sarah and Abraham. The poignant sentiment and expressive figures in this work captured the attention of many visitors to the exhibition. Hagar, with a determined look in her eyes, cradled her infant son, Ishmael, as they prepared for their arduous journey. Ishmael clung to his mother protectively, his small frame a testament to their vulnerability. The balanced proportions and intricate details of the sculpture were reminiscent of early medieval works, yet it did not appear outdated or anachronistic. Instead, it seamlessly blended the artistic traditions of the past with the advanced capabilities of contemporary art. The Departure of Hagar and Ishmael remains a powerful and evocative work, a testament to the enduring power of art to capture the human experience and evoke emotion.

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