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Interiors: The Old Cedar Parlour and the Modern Living Room, 1816

Interiors: The Old Cedar Parlour and the Modern Living Room, 1816


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Interiors: The Old Cedar Parlour and the Modern Living Room, 1816

Interiors: The Old Cedar Parlour and the Modern Living Room, 1816. From Fragments on the Theory and Practice of Landscape Gardening by Humphry Repton, 1816

Heritage Images features heritage image collections

Media ID 15137756

© Historica Graphica Collection / Heritage-Images

Cedarwood Humphry Humphry Repton Living Room Panelling Parlour Repton Historica Graphica Collection Interior Decoration Interior Design


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EDITORS COMMENTS
This lithograph from 1816, titled "Interiors: The Old Cedar Parlour and the Modern Living Room" offers a glimpse into the contrasting worlds of British interior design during the early 19th century. Created by Humphry Repton as part of his renowned work "Fragments on the Theory and Practice of Landscape Gardening" this print showcases two distinct spaces within a country home. On the left side, we are transported to the Old Cedar Parlour, where history and tradition reign supreme. The rich cedarwood paneling exudes warmth and elegance, while antique furniture adorns the room with its timeless charm. This space is steeped in nostalgia, evoking images of long conversations over tea or evenings spent by a crackling fire. In stark contrast, on the right side lies the Modern Living Room - an embodiment of progress and contemporary taste. Vibrant colors breathe life into this space as it embraces new trends in interior decoration. The carefully chosen furnishings reflect changing societal values and aspirations for comfort and functionality. Repton's lithograph not only captures these striking interiors but also invites us to ponder upon their significance within British society at that time. It serves as a reminder that our homes have always been reflections of our cultural identities and evolving tastes throughout history. As part of Heritage Images' Historica Graphica Collection, this print allows us to appreciate both historical continuity and change in Britain's architectural heritage without mentioning any commercial use associated with it.

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