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Interior of the Oude Kerk, Delft, probably 1650. Creator: Emanuel de Witte
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Interior of the Oude Kerk, Delft, probably 1650. Creator: Emanuel de Witte
Interior of the Oude Kerk, Delft, probably 1650. Detail from a larger artwork
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Media ID 24152451
© Heritage Art/Heritage Images
Alter Damage Delft Zuid Holland Netherlands Emanuel De Wit Emanuel De Witte Emmanuel De Witte Funny Graffiti Naughty Oude Kerk Peeing Pissing Tempera And Gold On Wood Urinating Urination Vandalism Weeing Wit Emanuel De Witte Emanuel De Witte Emmanuel De Criminal Damage Description Irreverence Irreverent Low Countries Scribbling
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EDITORS COMMENTS
This intriguing print captures a detailed section of Emanuel de Witte's "Interior of the Oude Kerk, Delft" from around 1650. The Dutch artist skillfully depicts the grandeur and serenity of this historic church in Delft, Netherlands. The image showcases an unexpected twist amidst the solemnity - a mischievous scene that adds an element of humor to the otherwise religious setting. A young boy, accompanied by two dogs, is caught in the act of relieving himself on one of the church pillars. This irreverent display challenges societal norms and reveals a playful side to human nature. De Witte's mastery is evident in his attention to detail; every column and architectural feature is meticulously rendered with tempera and gold on wood. The play between light and shadow creates depth within the painting, enhancing its realism. While some may view this depiction as vandalism or criminal damage due to graffiti scribbled nearby, others might interpret it as a commentary on human imperfections within sacred spaces. Regardless, it serves as a reminder that even within places dedicated to spirituality and reverence, humanity can still find moments for mischief. Displayed at The Metropolitan Museum of Art (the Met), this heritage artwork continues to captivate viewers with its blend of artistic skill, historical significance, and unexpected humor. It invites contemplation about how we perceive religious spaces while appreciating De Witte's talent for capturing both beauty and irreverence in one frame.
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